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c. 1445 – May 17, 1510. Italian painter.

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Lucas Cranach
Part of a diptych with the portrait of his son

ID: 85391

Lucas  Cranach Part of a diptych with the portrait of his son
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Lucas  Cranach Part of a diptych with the portrait of his son


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Lucas Cranach

1472-1553 German Lucas Cranach Locations Lucas Cranach the Elder was born at Kronach, Franconia. He was apparently trained by his father, Hans, a painter, and from 1495 to 1498 undertook work at Kronach for Coburg and Gotha. There is evidence that Cranach resided in Vienna between about 1500 and 1504. In 1504 he married Barbara Brengbier of Gotha; they had three daughters and two sons, Hans (died 1537) and Lucas the Younger (1515-1586), both of whom were painters. In 1505 Cranach established residence at Wittenberg, where he was court painter to three successive electors: Frederick the Wise, John the Constant, and John Frederick the Magnanimous. Cranach was a prosperous and respected citizen. He owned several houses and land, held the office of councilor, and was a burgomaster. He also worked for other princely patrons and was a follower and lifelong friend of Martin Luther. In 1550 Cranach followed John Frederick the Magnanimous to Augsburg, where the elector was in exile, and in 1552 accompanied him to Weimar. Cranach died in Weimar on Oct. 16, 1553.   Related Paintings of Lucas Cranach :. | Judith with the head of Holofernes | Portrait of Katharina von Boyra | Scheyring | Cranach lucas der aeltere kardinal albrecht von brandenburg. | John, Duke of Saxony |
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Jessie Marion King
1875-1949,was a Scottish painter and illustrator of Children's books. She was married to E. A. Taylor. She was born in Bearsden, near Glasgow. Her father was a minister with the Church of Scotland and she received a strict religious education and was discouraged from becoming an artist. Jessie M. King began training as an Art teacher in 1891 at Queen Margaret??s College. In 1892 she entered the Glasgow School of Art. As a student, she received a number of awards, including her first silver medal from the National Competition, South Kensington (1898). King was made Tutor in Book Decoration and Design at Glasgow School of Art in 1899. Her first published designs, and some people believe her finest, were for the covers of books published by Globus Verlag, Berlin between 1899 and 1902. The publisher was a subsidiary company of the great Berlin department store, Wertheim's. She was influenced by the Art Nouveau of the period and her works juxtaposed in mood with that of The Glasgow Four. She made a Grand Tour of Germany and Italy in 1902 and was influenced by the works of Botticelli. In the same year her binding for "L'Evangile de L'Enfance" was awarded a gold medal in the International Exhibition of Modern Decorative Art, held in Turin. King became a committee member of the Glasgow Society of Artists (1903) and a member of the Glasgow Society of Lady Artists (1905). Her contribution to Art Nouveau peaked during her first exhibitions, Annan's Gallery in Glasgow (1907) and Bruton Street Galleries, London (1905). She married E. A. Taylor in 1907 and moved with him to Salford. In 1910 they moved on to Paris where Taylor had gained a professorship at Tudor Hart's Studios.
Maggiotto, Domenico
Italian Painter, 1713-1794
Myles Birket Foster,RWS
1825-1899 English painter, illustrator and collector. After a short and unsatisfactory period working in the family brewing business, he was able to convince his Quaker parents to allow him to pursue a career in art. He was apprenticed to a wood-engraver, Ebenezer Landells (1808-60), who recognized Foster's talent for drawing and set him to work designing blocks for engraving. Foster also provided designs for Punch and the Illustrated London News. In 1846 he set up on his own as an illustrator. The rustic vignettes of the seasons that he contributed to the Illustrated London News and its counterpart, the Illustrated London Almanack, established him as a charming interpreter of the English countryside and rural life and led to his employment illustrating similar themes in other publications. During the 1850s his designs were much in demand; he was called upon to illustrate volumes of the poetry of Longfellow, Sir Walter Scott and John Milton.






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